What they said at the time: “The biggest jerk in the world.” Kerrang! 77. Burnt by the fame The Cure had garnered with 1985’s The Head On The Door, mainman Robert Smith did his best to reverse the juggernaut on Disintegration, reverting to the doomy production of early times, shovelling down hallucinogens and refusing to speak during sessions at Hook End Manor in order to create a “slightly unpleasant environment”. It does get the girls going. It was far from grunge. But Jackson went the conceptual route with the subject matter, crafting an album focused on social issues magnified by its title-track. Even the band’s eventual name was taken from their mentor’s monumental creation. But as the nursery-rhyme lyrics and whistling on the big hit Games Without Frontiers demonstrated, his sense of humour and the absurd remained intact. Van Halen fans might have a love-hate relationship with “Jump.” But that doesn’t mean the song isn’t a monster of 1980s glam metal. 18. What they said at the time: “An eerily impressive stride into the 80s.” Melody Maker. What they said at the time: “Clutching At Straws suggests that Marillion may be finally coming in from the cold.” Q. Imaginos is quite probably the longest-gestating album of all time. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Advance Local. “So we’ve tried to make different sounds, rather than just strumming chords with a screaming lead break in the middle.”. What they said at the time: “He turns back the clock on all the manifold styles that make up music in America… and then he cocktails them.” Sounds. In 1988, though, the album’s all-pervading sexuality was its undoing, with the sleeve’s topless-and-flaming conjoined twins getting it paper-bagged by US retail chains, and the aforementioned Mountain Song’s video banned from MTV for nudity. What they said at the time: “A 1980s twist into three-chord updates of Chuck Berry, the Rolling Stones, Little Feat and the Faces.” New York Times. What they said at the time: “Within the grooves of Grace, you get Heaven and Hell and everything in between.” Sounds. Bath Like Kiss before them, Manowar were heavy metal superheroes; four muscle-bound, fur-clad warriors proclaiming ‘Death to false metal’. Let It Be revealed leader Paul Westerberg to be a sensitive and articulate songwriter when the mood struck, particularly on Unsatisfied and the spare Androgynous. But looking through a different lens, it’s a great start to Roger Waters’s solo career, and should be reappraised as such. This could be the start of Gun becoming a popular band.’”, Rose was right. You can pinpoint this album and their next, Mother’s Milk, as the inspiration for all of those funk-metal acts that thrived afterwards. What they said at the time: “This record is from the heart and the gutter.” Kerrang! For the errant genius, Attack Of The Mad Axeman was a signature song. When he released the tune in 1984, it was far from a hit. Enabled by producer Brian Eno, Remain In Light was a dazzling display of looped grooves and dextrous musicianship, from the frazzled art funk of Crosseyed And Painless to the mesmeric, near-psychedelic Houses In Motion. They never do. AC/DC - Back In Black The death of talismanic singer Bon Scott should have finished AC/DC. What they said at the time: “A shimmer of easy hypnosis that is as beautiful as it is lacking in fire.” Sounds. 37. The album received worldwide acclaim, reaffirming the band as one of the biggest for a new decade. Songwriters Glenn Tilbrook and Chris Difford were even hailed as the latter-day Lennon & McCartney for their endless flow of deft melodies and adroit lyrics. Music, Film, TV and Political News Coverage. Banned from touring the US in the late 60s, The Kinks spent the late 70s clawing back lost ground, peaking with State Of Confusion. Better still, The Way I Feel and Ship Of Fools proved that Plant could do those melodramatic semi-ballads better than the younger hard rock acts dominating MTV at the time. Released on tiny indie label Ruby, Fire Of Love pointed the way for a new generation of upstarts, not least the White Stripes.
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